In television storytelling, writer Somya Tewari noted a lack of authentic exchanges among women. “They are either shown to be too polished or too mellow. This is not how we talk,” says the creator of the play Dirty Biryani, scheduled at Rangbhoomi Spaces in Hyderabad.
Directed by Snehil Basoya and written by Somya, founder of Bengaluru-based Madari Productions, the work follows three women’s lives and experiences. Audiences witness the drama as three outspoken women of different ages share a confined space with no exit.
Dirty Biryani features dialogues in Hindi and English along with humour and songs. Somya drew from her own talks with friends, relatives and colleagues, observing how distinct each personality remains. “We are sometimes loud and humorous but not always loving, emotional, submissive or correct about everything. We are angry, serious and also confront each other a lot.” The production includes pop culture references and addresses contemporary subjects such as mental health, politics and men.
As writing progressed, the focus shifted toward empathy and female solidarity amid disagreements. The play underscores the shared bond among women. “Each generation has their own idea of how to be a good or bad woman and what is right or wrong. A certain group might find some conversations uncomfortable but they will also find something relatable in others.”
Presenting intense talks in a lighthearted manner posed a challenge. The 100-minute musical also uses physical humour without words. Although women are central, the themes of emotional ups and downs apply to men as well.
The title reflects layered conversations, much like a biryani’s flavours, with conflicts adding a messy quality. Somya expects Hyderabad audiences to enjoy the mix. “When we decided on Hyderabad, we were like, ‘finally we are going to a city where biryani is a huge thing and probably will generate some kind of conversation too.’”
Dirty Biryani will be staged at Rangbhoomi Spaces on June 18 at 5 pm and 8 pm. Tickets are available on BookMyShow.
