Science fiction has long explored robots, questioning if they might one day merit human-like treatment or pose a threat to humanity—or perhaps both. While real-world concerns about artificial intelligence often center on issues like misinformation and military applications such as drones, literary works frequently focus on individual robots. Assigning them physical forms and features may make narratives more relatable to human audiences.
Fictional robots offer versatility: they can be humorous, intriguing, attractive, introspective, or melancholic. They may symbolize outsiders, challenging human empathy, or prompt reflections on ownership similar to how people view pets or livestock. They can also embody fearsome, lethal entities. Martha Wells’ Murderbot exemplifies a character that embodies many of these traits.
This month features two contrasting novels centered on robots. Both are insightful and skillfully crafted, with immersive environments, but their resemblances stop there.
In Suzanne Palmer’s Ode to the Half-Broken, an aging robot emerges from extended seclusion after unidentified foes steal one of its legs. It allies with a hybrid dog-robot, a human technician, and a liberated flying drone—described by the author as an eclectic group.
Their search evolves beyond retrieving the limb, uncovering unusual events that suggest broader dangers to a world recovering from catastrophe. In this setting, robots have achieved independence and generally receive fair treatment. The protagonist robot possesses advanced protective gear and a heroic role, despite a troubled history before liberation. The story maintains an upbeat, humorous vibe suitable for younger audiences, including elements like a sentient, speaking train. An early edition notes that ‘the dog survives.’ The lighthearted style echoes works like Adrian Tchaikovsky’s Service Model and Annalee Newitz’s The Automatic Noodle.
Silvia Park’s debut, Luminous, takes a starkly serious approach. Originally conceived as a children’s tale, it has evolved into content not ideal for young readers. Set two decades after Korea’s reunification, the narrative depicts a society where lifelike robots are commonplace, often purchased to substitute for deceased children or serve as household or intimate companions. Viewed as mere replicas, they frequently endure mistreatment.
Protagonist Jun holds a lackluster position in a police unit handling robot-related offenses, mainly thefts, with little oversight on owner conduct. His sister Morgan, a robotics expert, cohabits with her creation, a combined servant and partner named Stephen. She aims to instill human qualities in him by limiting external inputs, deactivating him when displeased. Both siblings remain haunted by the disappearance of a robot they regarded as family. Elsewhere, a girl encounters an odd entity in a junkyard.
Park’s portrayal of robots shines in moments, evoking sympathy for their exploitation while highlighting their complexity and potential hazards. Stephen stands out as a compelling figure worthy of his own story. Anticipation builds for Park’s future projects.
In the robots of Luminous, mistreatment is prevalent, stirring compassion, yet some prove perilous.
Emily also suggests…
TV Series
Battlestar Galactica (2003-2009)
Created by Ronald D. Moore, available on Prime Video
The humanoid Cylons in this reimagined series rank among the most captivating robotic characters. Their experiences and abilities are vast, with revelations about which humans are actually Cylons unfolding gradually. Begin with the 2003 miniseries, then proceed to the four seasons.
Emily H. Wilson authored the Sumerians trilogy (Inanna, Gilgamesh, and Ninshubar, published by Titan) and is developing her debut science fiction novel. She previously edited for New Scientist and can be followed on Instagram at @emilyhwilson1.
